My printmaking practice has always been more experimental than disciplined. I enjoy combining the more traditional techniques of collagraph with fabric printing, lino over monoprinting and relief printing with stenciling. I've always been interested in constructing collagraphs, starting by gluing pressed plants onto cardboard plates and then printing them using intaglio, but now I’m working more with multiplate and viscosity printing. I'm yet to successfully edition a reduction print! When I don't have to be too serious, I explore my love of designing repeat lino prints for fabric using shaped blocks.